I explained a few days ago an easy way to photograph meal dishes. It's how I photograph my recipes at home. When I photographed dishes in restaurants I do it in a way, let's say, more professional. If you have an assignment to photograph El Bulli, Arzac or Celler de Can Roca’s dishes, for clients like The New York Times, you can’t fail. I use portable studio strobes, which I bought after Alon Reininger gave me his first lesson. I've drawn a diagram to explain how I do it. I put the dish on a table and illuminated it by a strobe bounced off an umbrella, as close to vertical on the plate as possible. I also take a white card. Cut a strip of 20 cm wide and circle fully the dish with it as a reflector to soften any shadow.



PLATO DEL RESTAURANTE NEICHEL PARA THE NEW YORK TIMES
As you will see, some of the dishes are incredible, for example: the Ferràn Adrià’s fake caviar is really made out of melon. And the Celler de Can Sala’s Cuban cigar is really a terrific dessert.
As you will see, some of the dishes are incredible, for example: the Ferràn Adrià’s fake caviar is really made out of melon. And the Celler de Can Sala’s Cuban cigar is really a terrific dessert.
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